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Acoustic Recording Simulation and the Bristol Sessions
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The lesson explores Appalachian music within Virginia, focusing on simulating the acoustical recording process to convey technical challenges and artistic considerations. Modeled after the Bristol Sessions of 1927, conducted by Ralph Peer for the Victor Talking Machine Company, the session primarily used acoustical recording technology prevalent at the time. Performers sang or played instruments into large recording horns, transmitting sound vibrations to a cutting stylus, which etched onto a master disc. Despite limitations in fidelity and dynamic range, the Bristol Sessions captured the essence of early country, blues, and Appalachian music, significantly influencing American popular music's trajectory.

Subject:
Music
Material Type:
Lesson Plan
Author:
VDOE Fine Arts
Date Added:
07/15/2024