Computer Science Standard Alignment Guides are resources for teachers working to integrate computer science into their core curriculum. These guides explain the standard, give a sample activity or lesson that teaches the standard, and ways to measure student proficiency on the skill or concept.

Computer Science Standard Alignment Guides are resources for teachers working to integrate computer science into their core curriculum. These guides explain the standard, give a sample activity or lesson that teaches the standard, and ways to measure student proficiency on the skill or concept.

See computer science integration opportunities in middle school music in this crosswalk of the two disciplines.

The lesson explores Appalachian music within Virginia, focusing on simulating the acoustical recording process to convey technical challenges and artistic considerations. Modeled after the Bristol Sessions of 1927, conducted by Ralph Peer for the Victor Talking Machine Company, the session primarily used acoustical recording technology prevalent at the time. Performers sang or played instruments into large recording horns, transmitting sound vibrations to a cutting stylus, which etched onto a master disc. Despite limitations in fidelity and dynamic range, the Bristol Sessions captured the essence of early country, blues, and Appalachian music, significantly influencing American popular music's trajectory.

Lesson Plan and activities for a class on Origins of Hip-Hop. Links to resources, Google Docs, PDF activity download.Journal entry warm-upGoogleSlides on the history of hip-hop and prominent figures in the movementGroup/individual activity on Grandmaster Flash's "The Message"Extension activity with online links for students to create their own beats

Participants will receive an overview of strategies and resources aligned to media content created by Blue Ridge Public Media for Appalachian music. The resources developed demonstrate instructional strategies related to music, musicians, instruments, styles, and playing techniques paired with the content created. Instructional resources were developed in collaboration with educators.

This resource provides additional context to the Creative Process strand of the 2020 Music Standards of Learning including sample lesson strategies to adapt components of creative processes to the music classroom. Components of creative processes may include inquiry and questioning, researching, interpreting, generating, testing, discussing ideas and solutions, refining work, and reflecting on the process, product, and performance.  

Learn about visual and performing artists. They often use their creativity to raise their voices and share lessons, stories, and important ideas with the world. In this episode of The Creative Corner, two artists from Richmond, Virginia help us explore how art sparks crucial conversations. Public artist Hamilton Glass shares how (and why) he gathered a group of artists to paint murals with a message all across the city after some challenging current events, and musician Victor Haskins talks about storytelling as human nature — and why sound and performance tell stories so well. Then you’re invited to share your own voice through a poster project!

Join Lauren Paullin as she conducts a scavenger hunt around her house to find all kinds of things that can be used to make pictures, prints, paints, and even musical instruments! Learn how to make a mixed media collage and print it with fruits and vegetables. Learn from New Orleans-based musician, artist, and cultural diplomat Charles Burchell how to turn ordinary objects like glasses, wood, plastic, and even paper into musical instruments. Developed for grades 4 through adults. 

Learn about art and the five senses. A lot of art is made to be seen — but what if you could touch, hear, and even smell works of art? In this episode, host Lauren Paullin shows you how to mix paints that smell like pastries and transform sounds into sketches. You'll also learn about a fascinating condition called synesthesia, which links multiple senses together in the brain so that some people can taste music, hear color, and smell words! Developed for students in grades 4- adults.

The purpose of this document is to highlight standard nine of the 2020 Music Standards of Learning for choral music. This standard in all grade levels relates connecting music content, skills, and processes to career options, college opportunities, and the 21st Century workplace. Teachers and curriculum specialists can use this document to plan a sequence of instruction for grades 6-12 that prepares students for career, college, and workplace connections in music education.

Students create a class composition of a thunderstorm by exploring expressive qualities of crescendo/decrescendo and accelerando/ritardando

Compare and Contrast with Music is a cross-curricular lesson designed by an Elementary Music teacher to support Language Arts instruction. Created By: Joshua Wright Powhatan County Public Schools.

Students create different versions of a known song and listen to contrasting recordings for musical differences and similarities.

Students compose and notate short 4/4, 3/4, and 6/8 rhythms across multiple class periods.

Students compose and notate short rhythms in 4/4, 3/4, and 6/8 meters across multiple class periods.

Using predetermined musical elements, either rhythmic or melodic, students compose a “music composition code” in small groups. Laying the individual lines of “musical composition code” on the ground, students add directional arrows to direct performers to the next line of “code” to create a larger musical composition.