This video is part of the Continue to Know with WHRO TV series. Watch Claire Verdillo teach about how the author's choice of setting and characters develop the plot.

In this first unit of second grade, students read multiple versions of a classic fairy tale, Cinderella. Through reading various versions of the same story, students are not only exposed to a wide variety of cultures, but they are also challenged to think about how the culture, or setting, of the story influences the plot. In first grade fiction, students took a trip around the world, exploring a wide variety of themes and stories from all over, in order to build a foundational understanding that our world is made up of many diverse and unique cultures. This unit builds on the exposure to new cultures students received in first grade and provides an opportunity for students to explore the idea that even though cultures may appear to be different, there are many things embedded within the unique characteristics of different cultures that make them similar. Storytelling, and the role of storytelling, is one of those similarities. It is our hope that this unit, in connection with others in the sequence, helps students build empathy and understanding of the world around them.

The different versions of Cinderella help students understand the components of a fairy tale and the lessons associated with traditional fairy tales. Over the course of the unit, students will be challenged to ask and answer questions about the text and illustrations as a way of deepening their understanding of plot, setting, and characters. In the first section of the unit, students will focus deeply on the setting, characters, and plot of the different versions of Cinderella, learning to compare and contrast the nuances across different versions. In the second section of the unit, students will read Cinderella stories that vary from the traditional plot structure but still include the underlying theme that a person's actions (good or bad) influence his/her life outcomes. In this section students will dive deeply into three texts to analyze different characters' traits and how the author uses those traits to help reveal the lesson of the story.

This unit continues the yearlong theme of what it means to be a good person in a community by pushing students to think about how the lessons and morals from traditional stories and folktales connect to their own lives and communities. The unit launches by listening to the book A Story, A Story, in which students see the power of storytelling not only for entertainment, but also for learning valuable life lessons. Over the course of the unit, students will explore lessons and morals about hard work, happiness, friendship, honesty, and humility. Through discussion and writing, students will be challenged to connect their own lives with the sometimes-abstract lessons and stories in order to build character and a strong community. It is our hope that this unit, in connection with other units in the sequence, will help students internalize the idea that we not only learn from our own experiences, but we also learn and grow by hearing the experiences of others.

In reading, this unit builds on the foundation set in unit 1. Students will continue to practice asking and answering questions about key details in partners, individually, and in discussion, although questions will require a deeper and more nuanced understanding of the text than in unit 1. Students will learn to use the text and illustrations to both identify the setting of a story and think about why the setting is important to the story. Students will also be pushed to deeply analyze characters traits, actions, and feelings and how those change and evolve over the course of the story. Once students have a deep understanding of the setting and character motivation, students will grapple with figuring out the lessons the characters learn and how they learn them. Finally, in this unit students will begin to notice the nuanced vocabulary authors use to help a reader visualize how a character is feeling or acting.

In writing, students will continue to write daily in response to the text. The focus of this unit is on ensuring that students are answering the question correctly and using correct details from the illustrations and text to support their answer.

This video is part of the Learn and Grow with WHRO TV series. Watch Mary Mathias teach about how to summarize.

This video is part of the Learn and Grow with WHRO TV series. Watch Alystra Barefoot teach about retelling a story.

This video is part of the Learn and Grow with WHRO TV series. Watch Amanda Knighton teach about comparing and contrasting setting in a story.

This video is part of the Learn and Grow with WHRO TV series. Watch Mary Mathias teach about summarizing a fiction story.

This lesson remixes an original lesson plan entitled "The Poetry of Emily Dickinson" by Melissa Strong: Melissa Strong. Retrieved from the Digital Public Library of America .

In this lesson, activities 1 and 2 from the original source are combined so that students emulate the writing style of Dickinson to write their own original poetry based on modern issues concerning women. An extension activity asks students to transfer their understanding of how literary elements shape meaning to different poets who each have a distinct style.

This unit is focused on three classic fairy tales: The Three Little Pigs, The Three Bears, and Little Red Riding Hood. With each fairy tale, students are first exposed to the classic version, familiarizing themselves with the basic plot and lessons. Then students explore the ways authors change setting, characters, and plot while still maintaining the overall essence of the classic story. Some of the changes the authors make reflect the nuances of different cultures and environments, while others are made for entertainment and humor. Either way, students will explore the idea that different authors can use their own perspective and culture to shape the stories they write or retell. By reading multiple versions of the same classic fairy tale, students will also be able to grapple with the bigger lessons of each tale—the importance of not talking to strangers, how hard work and patience pay off, and the importance of respecting others' property and privacy. Over the course of the unit, students will be challenged to think about how each of these unique themes is portrayed and how in each different version of the fairy tale the characters may learn the lesson in slightly different ways. It is our hope that this unit, in connection with others in the sequence, will help students see the power of storytelling and how simple stories can be changed and improved based on an author's ideas and preferences.

In reading, this unit builds directly onto the reading strategies from unit 2. Students will continue to be pushed to be inquisitive consumers of text, asking and answering questions about characters, setting, and plot as they listen to and engage with a text. Students will also continue to work on retelling stories and including key details. Similar to units 1 and 2, students will continue to think deeply about characters and setting and how the details an author includes in the illustration and text help a reader better understand both. Because most of the focuses for this unit are a repeat of similar focuses from units 1 and 2, students should be pushed to a much higher level of rigor and understanding than in previous units. One new focus of this unit, however, is on comparing and contrasting the adventures and experiences of characters in stories. Students will be asked at multiple points to use information they have learned about key events, characters, and setting to compare and contrast different versions of the classic fairy tale. Students should be pushed beyond just superficial comparisons across the different stories. At the end of the unit, students will also have a chance to retell and act out the different fairy tales, putting their own'artistic' spin on the fairy tale.

In writing, students will continue to write daily in response to the text. In unit 2, students began to write answers that correctly answered the questions using facts. In this unit, students will be pushed to continue to focus on correct answers that may show some level of inferential or critical thinking. Students will also begin to learn how to include details from the text in their answers. At this point in the year, it is not important that students have the best evidence but rather that they are including some details that support the answer to the question in one way or another. Structure and grammar feedback during this unit should be based on assessment data from units 1 and 2.

In this unit, students begin to grapple with the overarching question of how a person develops values, identities, and beliefs while reading the novel Shiloh. Marty, the main character in Shiloh, sees someone mistreating a dog and thinks it's his right and responsibility to step in to save the dog, even if the dog doesn't belong to him. His action raises a question for readers about when an individual should step in to take a stand against what he/she believes to be an injustice. His action also causes readers to consider how different people, depending on their values, identities and beliefs, may have different opinions on what constitutes an injustice. Students will be challenged to take a stand on both of these ideas, based on the experiences and opinions of the different characters in Shiloh. Students will also be exposed to the idea of courage, and what it means to show courage, especially in situations where you are standing up for what you believe in. It is our hope that this unit will inspire students to grapple with these questions at a deeper level and understand the power of showing courage to fight for the things they believe in, no matter what obstacles they may face.

Shiloh was chosen as the text for this unit not only because of the powerful themes, but because of the way in which Phyllis Reynolds Naylor artfully develops the setting, characters and plot. In this unit, students will be challenged to think deeply about how the details an author includes help a reader better understand a character's thoughts and actions. The setting of Shiloh in rural West Virginia in the 1970s allows students to deeply analyze how an author develops setting, and how the setting of a text influences the characters. Finally, students will begin to notice how the point of view of a story influences the way a story is told.

This video is part of the Learn and Grow with WHRO TV series. Watch Mary Mathias teach how to understand a fiction story through its story elements.

This video is part of the Learn and Grow with WHRO TV series. Watch Mary Mathias teach about plot.

This video is part of the Learn and Grow with WHRO TV series. Watch Mary Mathias teach about comparing characters in a story using character traits.

In Grade 4 Fiction, students grapple with the overarching question of how a person develops values, identities, and beliefs. In this unit students dig deeply into how families shape a person's identity, values, and beliefs and how relationships with others can change a person's identity. Students will also explore what it means to have good fortune and how a person's view on fortune varies depending on his/her values and beliefs. It is our hope that this unit, in connection with other units from the entire year-long sequence, will help build a deeper understanding of how we become who we are and the positive and negative factors that influence us along the way.

Where the Mountain Meets the Moon was chosen as an engaging text to help build excitement at the beginning of the year, while simultaneously allowing for deep discussions about character, setting, vocabulary, and the larger theme of identity. Over the course of the novel, the author, Grace Lin, includes lots of detail and description to reveal information about characters and how they change based on experiences and relationships. Students will be challenged to notice the details that Grace Lin includes and analyze how the details build to support a deeper, more nuanced understanding of characters. Grace Lin also includes lots of powerful vocabulary and figurative language as a way of helping readers visualize exactly what is happening in the story. Students will be challenged to figure out the meaning of unknown words and figurative language and analyze why the author made particular word choices. In this unit students will also begin to use summarization as a strategy to track the plot of a longer text.