"I prefer to think that we arrive at insight by experience..."-Josef Albers Examining …
"I prefer to think that we arrive at insight by experience..."-Josef Albers Examining art with a mathematical lens can help students articulate how they see and understand spatial and numerical relationships. Use this resoure to explore prints by artist and teacher Josef Albers to help students expand their understanding of geometric concepts such as parallel lines, congruent angles, rectangular prisms and more.The resource includes: Short introduction to Albers and his ideas.Examples of Albers works for examination. Suggested open-ended activity for further exploration Discussion prompts This activity can be structured as introductory exploration or informal formative evaluation. Use student ideas generated as a reference and springboard for more formal instruction and problem-solving.
This resource provides a menu of self-directed art-making challenges, each of which …
This resource provides a menu of self-directed art-making challenges, each of which relates to a work of art in the Virginia Museum of Fine Arts collection. Give your students voice and choice as they investigate authentic works of art and work to develop a visual language, convey complex ideas, and solve problems creatively.
This resource provides an inquiry-based exploration of the cyanotype photograms using examples …
This resource provides an inquiry-based exploration of the cyanotype photograms using examples from the Virginia Museum of Fine Arts, and video explanations of the history, science, and artistic process of cyanotype photograms.
This resource provides an inquiry-based exploration of the cyanotype photograms using examples …
This resource provides an inquiry-based exploration of the cyanotype photograms using examples from the Virginia Museum of Fine Arts, and video explanations of the history, science, and artistic process of cyanotype photograms.
Introduction to Art: Design, Context, and Meaning offers a comprehensive introduction to …
Introduction to Art: Design, Context, and Meaning offers a comprehensive introduction to the world of Art. Authored by four USG faculty members with advance degrees in the arts, this textbooks offers up-to-date original scholarship. It includes over 400 high-quality images illustrating the history of art, its technical applications, and its many uses. Combining the best elements of both a traditional textbook and a reader, it introduces such issues in art as its meaning and purpose; its meaning and purpose; its structure, material, and form; and its diverse effects on our lives. Its digital nature allows students to follow links to applicable sources and videos, expanding the students’ educational experiences beyond the textbook. Introduction to Art: Design, Context, and Meaning provides a new and free alternative to traditional textbooks, making it an invaluable resource in our modern age of technology and advancement.
Students practice engaging with art, making meaning from that interaction, and considering …
Students practice engaging with art, making meaning from that interaction, and considering how art can connect us to people and ideas across time and place. Use this before a museum visit to set the stage for a rich in-gallery experience that is inquiry-based.
Structure this simple activity in a way that makes sense for your class. Make a game of it, use written responses to augment discussion, frame it in the lens of your academic discipline, etc.
This simple, scaffolded discussion activity fosters creative and critical thinking and communication skills. Citizenship skills are encouraged as well: making personal connections with art, students are invited to extending these ideas by considering the common and divergent values of the whole group.
Why look at art? Art is one way humans communicate ideas to …
Why look at art? Art is one way humans communicate ideas to one another. Sifting through the information art presents takes careful and purposeful looking. Virginia Museum of Fine Arts has a resource that can foster close-looking and thoughtful analysis of artworks from any period or culture. Use this resource (see link) to practice looking at art before a visit to the art museum or to document thinking about art as a primary source of insight into a culture or time period. Included in this resource are: a) Works of art from the Virginia Museum of Fine Arts and a link to find more.b) Simple framework and prompts to help students document their analysis and thinking. c) Discussion prompts.
Trans-regional exchange through routes such as the Silk Road across Asia to …
Trans-regional exchange through routes such as the Silk Road across Asia to the Mediterranean basin, maritime routes across the Mediterranean Sea, the Indian Ocean, and Trans-Saharan routes across North Africa allowed groups of people to exchange goods, knowledge, and ideas. Conflict and cooperation, economic pressures and political alliances, as well as conquest, migration, and trade have all resulted in rich cultural interchange. Use this resource set to explore how art can illustrate various ways in which technologies, forms, images, symbols, beliefs and concepts are adopted, adapted, and/or reinterpreted by communities across the globe until 1500.
Ten works of art from Virginia Museum of Fine Arts are presented with contextual information. Suggested inquiry-based activities paired with each object can be used in the galleries or classroom to promote discovery, critical thinking, and authentic engagement with art.
Artists throughout time have come to their work with stories to tell, …
Artists throughout time have come to their work with stories to tell, concepts to explore, and puzzles to work out. By looking at works of art with a curious and investigative eye, students may connect with these artistic ideas while exercising creative and critical thinking skills. This resource pairs objects from the Virginia Museum of Fine Arts collection with simple engagement activities to help students thoughtfully consider and unpack the big ideas each artwork presents.
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