This source aims to help students place Naomi Shihab Nye's poetry in conversation with other poems and reading materials, and in doing so, the goal is to help students work on synthesizing sources. The paired passage assignments are designed to offer students and teachers flexibility in accomplishing these tasks. The source is a remix. The original lesson can be found here: https://edsitement.neh.gov/lesson-plans/gate-4-naomi-shihab-nye

This guided reading of Edgar Allan Poe’s “Alone” (1829) focuses on developing student understanding of imagery and other figurative language, strengthening reading comprehension, and strengthening expository and persuasive writing skills.

This guided reading of Edgar Allan Poe’s “Annabel Lee” (1849) focuses on developing student understanding of imagery and other figurative language, strengthening reading comprehension, and strengthening expository and persuasive writing skills.

Learn about visual and performing artists. They often use their creativity to raise their voices and share lessons, stories, and important ideas with the world. In this episode of The Creative Corner, two artists from Richmond, Virginia help us explore how art sparks crucial conversations. Public artist Hamilton Glass shares how (and why) he gathered a group of artists to paint murals with a message all across the city after some challenging current events, and musician Victor Haskins talks about storytelling as human nature — and why sound and performance tell stories so well. Then you’re invited to share your own voice through a poster project!

This guided reading of Edgar Allan Poe’s “The Bells” (1848) focuses on developing student understanding of imagery and other figurative language, strengthening reading comprehension, and strengthening expository and persuasive writing skills.

This activity is intended as an introduction to close-reading using visual media. In this lesson, students will review and then closely "read" the painting, "The Kiss" by Gustav Klimt in order to understand the process of close-reading and its impact on our understanding of texts. Once students have learned how to conduct close-reading of a visual text, they reflect on how they might transfer this skill to the written word.
This activity also includes optional extension activities that incorporate poetry into the lesson.

This activity is intended as an introduction to close-reading using visual media. In this lesson, students will review and then closely "read" the painting, "The Kiss" by Gustav Klimt in order to understand the process of close-reading and its impact on our understanding of texts. Once students have learned how to conduct close-reading of a visual text, they reflect on how they might transfer this skill to the written word.
This activity also includes optional extension activities that incorporate poetry into the lesson.

Once students have learned how to conduct close-reading of a visual text, they reflect on how they might transfer this skill to the written word.

Once students have learned how to conduct close-reading of a visual text, they reflect on how they might transfer this skill to the written word.

Use https://goopenva.org/courses/poems-that-tell-a-story-narrative-and-persona-in-the-poetry-of-robert-frost  and "Love that Dog" to break down POV in poetry. Have students pair up the famous work of Robert Frost with a novel that references the poem. This allows students to break down narrative poetry in multiple formats, and experience the storytelling aspect of poetry. I remixed this lesson to tie in a poetry novel that uses Robert Frost's poem. This lesson fit nicely with the material I use to teach the novel. 

The student will use the poetry of Phillis Wheatley, Jacqueline Woodson, Countee Cullen, and Amanda Gorman to draw conclusions about the historic eras in which they wrote.

Students will be presented with foundation knowledge of the Harlem Renaissance, experience some sights and sounds of this movement, then gain deeper knowledge by creating a virtual “museum exhibit” of a famous artist or author to share with others. At the end of the lesson, students will evaluate the impact and significance of the Harlem Renaissance, and consider how the arts can serve as vehicles for social change.

Students will analyze "Man with a Hoe" by Jean-Francois Millet, and learn how the artist's use of shape and space creates emphasis. Students will discuss their interpretations of the painting and provide visual evidence to back up their ideas. They will create a persona poem that demonstrates their interpretation of how the man in the painting feels. Students will then illustrate their understanding of how shape and space creates emphasis by drawing a person in their family who works hard.

Adapted from Holzer, Madeline Fuchs (2016). “Every Day We Get More Illegal” by Juan Felipe Herrera. Retrieved from https://edsitement.neh.gov/lesson-plans/every-day-we-get-more-illegal-juan-felipe-herrera. 

A self-directed project aimed at getting students engaged with poetry on a variety of levels

Students will examine the life of Phillis Wheatley. They will explore how as a woman, Phillis was able to fight for freedom during the American Revolution as enslaved, or formerly enslaved people. Students will analyze primary and secondary sources to learn more about the life and journey of Phillis, as well as her impact on historical events.

While being introduced to a variety of poets, students will be able to find personal connections with the works. These personal connections will be developed into narrative illustrations of their own life.

We can look at art to analyze and interpret the ideas at play; we can also use art as a prompt for creativity; but these two things don’t have to be mutually exclusive. Use this simple creative writing exercise to help students collaboratively use creative thinking in tandem with critical thinking as they make meaning from an abstract artwork.

This activity is inspired by by "The Pocket Instructor, Literature: 101 Exercises for the College Classroom" edited by Diana Fuss and William A. Gleason. In this lesson, students listen to multiple readings of Elizabeth Bishop's, "One Art." As a whole class, we conduct a line-by-line analysis of the poem in order to introduce and understand poetry analysis skills. The lesson culminates with a whole-class and individual reflection. An optional written analysis extension task is also provided.

Students examine two of Dorothea Lange's photographs in relation to the universal theme of a journey. They make connections between the photographs and poems about journey and write about a journey in their own lives.