Spending time with a work of art can be an opportunity for thoughtful inquiry and ideation. Imagining what lies beyond the frame of an artwork gives students the opportunity to consider contextual clues and think about how artistic decisions are made.

Art is often about making ideas and beliefs visible. For centuries, religions across the globe have used images to represent complex and abstract ideas about humankind's place in the cosmos. Students can use this interactive exercise to spend thoughtful time with a religious work of art and become curious about the way art can help communicate sacred and profound ideas.

Artists throughout time have come to their work with stories to tell, concepts to explore, and puzzles to work out. Looking at art made in our own century lets students consider complex ideas about our shared global experience. This interactive exercise invites students to slow down their looking and generate ideas as they creatively interpret an artwork from the VMFA's 21st Century collection.

Art objects made and used in the past can offer clues to the ideas and attitudes that may have been prevalent at the time of their creation. Spending time to thoughtfully examine and explain their own ideas about such an object encourages students to become curious and open lines of inquiry about historical context. This interactive exercise guides students as they document their thinking about an 18th century American artwork.

We can look at art to analyze and interpret the ideas at play; we can also use art as a prompt for creativity; but these two things don’t have to be mutually exclusive. Use this simple creative writing exercise to help students collaboratively use creative thinking in tandem with critical thinking as they make meaning from an abstract artwork.

This activity activates prior knowledge while developing insight into historical perspectives. Use this activity to help students broaden their horizons and explore diverse ideas.

Artworks can offer an opportunity to consider different perspectives. Artists are intentional about how they depict people alone or in groups. Spending time to look carefully at expressions, body language, and contextual clues in figural artwork can help students consider ideas about identity, community, and belonging. Use this interactive exercise to guide students as they explore a work by Kehinde Wiley, creatively document the ideas it presents to them, and consider how their thoughts connect with the artist's own ideas and intentions.

Spending time with a work of art can be an opportunity for thoughtful inquiry and ideation. For students, documenting their ideas as they work to interpret an artwork offers the chance to exercise metacognition. With this interactive exercise featuring an artwork by Congolese artist Sammy Baloji, students are can gain insight into how they process information and formulate ideas.

Spending time with a work of art can be an opportunity for thoughtful inquiry and ideation. For students, documenting their ideas as they work to interpret an artwork offers the chance to exercise metacognition. With this interactive exercise featuring an artwork from the Mughal Empire, students can gain insight into how they process information and formulate ideas. This activity is good practice for formulating research questions and synthesizing ideas.

Students will be interpreting Selma to Montgomery March, Alabama, 1965 by James Karales using the See/Think/Wonder method and the Elements and Principles of Art and Design.

Use this resource set to guide young learners as they explore and interpret a diverse group of six artworks from the Virginia Museum of Arts collection.

Under the "suggested activities" menu next to each artwork, you will find link to an educator-led "Little Eyes Look" video. Using an inquiry-based approach that fosters curiosity and creative thinking, educators introduce viewers to vocabulary related to both art-making and the subjects depicted in the artworks. Students consider artistic intention and decision-making and are supported by factual content about artists's lives and art-making practices. 

Three open-ended engagement activities are also suggested with each work. These simple exercises can be used to foster extended thinking about each piece.

Using the Virginia Museum of Fine Arts website, students explore the sculptural work of 20th Century Conceptual artist Sol LeWitt to expand their understanding of geometric concepts, creatively play with mathematical ideas, and be inspired to make art of their own.

The website page provides a scaffolded approach to exploring Sol LeWitt's sculpture titled "1, 2, 3, 4, 5, 6." culminating in a challenge for students to build a 3-D Tinkercad model of a geometry concept of their own choosing.

Shared narratives can be found in art from many cultures and throughout time. Use this resource to encourage students to explore diverse narratives, discover their own personal narrative, and express that narrative through their own work of art.Using provided engagment strategies students are able to hone Critical, Creative, and Communication skills using works of art in the Virginia Museum of Arts collection. Discussion prompts and activities offer instructional oppotunities for building Collaboration and Citizenship skills. 

Shared narratives can be found in art from many cultures and throughout time. Use this resource to encourage students to explore diverse narratives, discover their own personal narrative, and express that narrative through their own work of art.Using provided engagment strategies students are able to hone Critical, Creative, and Communication skills using works of art in the Virginia Museum of Arts collection. Discussion prompts and activities offer instructional oppotunities for building Collaboration and Citizenship skills. Symbols that we find in literature and the use of figurative language to describe artworks go hand in hand.  Find two pieces of artwork that move you one in Virginia and one in an international museum and create multiple examples of 10 different types of figuative language.

This session will use various cognitive routines (such as "See-Think-Wonder") to guide educators on how to lead classroom discussions of printed music which uses traditional and nontraditional notation, with young students. Concepts and strategies covered in this session will focus on the Music Standards of Learning of the strand: Critical Thinking and Communication.

Students observe patterns between the graph, x-intercepts, factored form, roots, equation, and zeros. They use the patterns they observed and the information given in one column to fill in the other columns.

This unit challenges students to view history with a critical lens, and to notice how there is always more than one side to a story. The unit begins with the Mayflower and helps students develop an understanding of why so many colonists decided to leave England and travel to the New World. Students will explore the hardships faced by the colonists, both on the ship and once they arrive in the New World, and how the colonists persevered and relied on the geography and environment to meet their needs. Students will then learn about the Wampanoag, the people who were on the land before the Pilgrims arrived. They will learn about what the Wampanoag valued, how they viewed the Pilgrims, and how the arrival of explorers and settlers negatively influenced their tribe. Then students will be pushed to analyze what really happened at the first Thanksgiving, and whose story is being told. Students will realize that the traditional story of the first Thanksgiving contains many myths that don't accurately reflect the Wampanoag and what really happened in 1621.

Explore objects from Ancient Rome and discover how Romans portrayed themselves and wished to be remembered. This student-facing resource includes text, images, maps, as well as interactive exercises that call invite students to closely examine authentic objects from Ancient Rome.

The first three activities provide close-up views with guiding questions and background information. What will you learn about the connections between power, status, citizenship, and images in ancient Rome? How do these objects relate to identity and how people are portrayed or remembered? Who is represented and who is not?

The next three investigations offer pop-up hot spots on selected objects to reveal intriguing information about Roman culture, gods, goddesses, and mythology.

How do these objects relate to what the Romans thought was important?

Why look at art? Art is one way humans communicate ideas to one another. Sifting through the information art presents takes careful and purposeful looking. Virginia Museum of Fine Arts has a resource that can foster close-looking and thoughtful analysis of artworks from any period or culture. Use this resource (see link) to practice looking at art before a visit to the art museum or to document thinking about art as a primary source of insight into a culture or time period. Included in this resource are: a) Works of art from the Virginia Museum of Fine Arts and a link to find more.b) Simple framework and prompts to help students document their analysis and thinking. c) Discussion prompts.  

This unit is focused on three classic fairy tales: The Three Little Pigs, The Three Bears, and Little Red Riding Hood. With each fairy tale, students are first exposed to the classic version, familiarizing themselves with the basic plot and lessons. Then students explore the ways authors change setting, characters, and plot while still maintaining the overall essence of the classic story. Some of the changes the authors make reflect the nuances of different cultures and environments, while others are made for entertainment and humor. Either way, students will explore the idea that different authors can use their own perspective and culture to shape the stories they write or retell. By reading multiple versions of the same classic fairy tale, students will also be able to grapple with the bigger lessons of each tale—the importance of not talking to strangers, how hard work and patience pay off, and the importance of respecting others' property and privacy. Over the course of the unit, students will be challenged to think about how each of these unique themes is portrayed and how in each different version of the fairy tale the characters may learn the lesson in slightly different ways. It is our hope that this unit, in connection with others in the sequence, will help students see the power of storytelling and how simple stories can be changed and improved based on an author's ideas and preferences.

In reading, this unit builds directly onto the reading strategies from unit 2. Students will continue to be pushed to be inquisitive consumers of text, asking and answering questions about characters, setting, and plot as they listen to and engage with a text. Students will also continue to work on retelling stories and including key details. Similar to units 1 and 2, students will continue to think deeply about characters and setting and how the details an author includes in the illustration and text help a reader better understand both. Because most of the focuses for this unit are a repeat of similar focuses from units 1 and 2, students should be pushed to a much higher level of rigor and understanding than in previous units. One new focus of this unit, however, is on comparing and contrasting the adventures and experiences of characters in stories. Students will be asked at multiple points to use information they have learned about key events, characters, and setting to compare and contrast different versions of the classic fairy tale. Students should be pushed beyond just superficial comparisons across the different stories. At the end of the unit, students will also have a chance to retell and act out the different fairy tales, putting their own'artistic' spin on the fairy tale.

In writing, students will continue to write daily in response to the text. In unit 2, students began to write answers that correctly answered the questions using facts. In this unit, students will be pushed to continue to focus on correct answers that may show some level of inferential or critical thinking. Students will also begin to learn how to include details from the text in their answers. At this point in the year, it is not important that students have the best evidence but rather that they are including some details that support the answer to the question in one way or another. Structure and grammar feedback during this unit should be based on assessment data from units 1 and 2.